Poetry Sunday 30 November 2014

Forgiven by A.A. Milne

I found a little beetle; so that Beetle was his name,
And I called him Alexander and he answered just the same.
I put him in a match-box, and I kept him all the day …
And Nanny let my beetle out –
Yes, Nanny let my beetle out –
She went and let my beetle out –
And Beetle ran away.

She said she didn’t mean it, and I never said she did,
She said she wanted matches and she just took off the lid,
She said that she was sorry, but it’s difficult to catch
An excited sort of beetle you’ve mistaken for a match.

She said that she was sorry, and I really mustn’t mind,
As there’s lots and lots of beetles which she’s certain we could find,
If we looked about the garden for the holes where beetles hid –
And we’d get another match-box and write BEETLE on the lid.

We went to all the places which a beetle might be near,
And we made the sort of noises which a beetle likes to hear,
And I saw a kind of something, and I gave a sort of shout:
“A beetle-house and Alexander Beetle coming out!”

It was Alexander Beetle I’m as certain as can be,
And he had a sort of look as if he thought it must be Me,
And he had a sort of look as if he thought he ought to say:
“I’m very very sorry that I tried to run away.”

And Nanny’s very sorry too for you-know-what-she-did,
And she’s writing ALEXANDER very blackly on the lid,
So Nan and Me are friends, because it’s difficult to catch
An excited Alexander you’ve mistaken for a match.

 

Derring-Do Pt 4 “Sink the Tirpitz!”

Rear Admirable Quentin Cockburn continues his remarkable story of courage and invention.

By chance the idea of how to get the relative height and distance right for launching the Austral Mk V torpedoes came to me one night when I was watching the two new acts at Ashtons’.  I was sitting in row G, as ‘Hockey and Bill’, the fill-ins for the depleted dwarf troupe were performing a comic routine, exchanging mock insults and trying to knock each other off their respective perches.  The act finished with a mock chase in which they both boarded a car, named uproariously “Team Australia” and launched themselves down a ramp with a jump at the end.  The crowd ‘Ooohed’ in anticipation, believing the car about to smash, when just at the last moment, a small rocket launched the car across the void and into a net.  That was when, at the precise moment of impact, Bill, shortened the trajectory by attaching a coat hanger to a guy rope and brought the car, Hockey the fat dwarf and the entire routine to an abrupt stop.  In an instant I had a solution.  A ramp to be fitted to the escort submarine, and within range the midget would be launched, and with rocket assisted takeoff use the force of momentum to cut through the nets and at precisely the time the rockets were expended, the coat hanger would grip the edge of the torpedo net, flick the firing mechanism, the torpedoes would be released and the Tirpitz would be no more.  A coat hanger!!   ‘G20’!! I cried exultantly, and returning to the lab, we had the prototype tested and it worked.

Collins Class Mini Sub (Note the secret, but deadly, Coat Hanger)

Collins Class Mini Sub (Note the secret, but deadly, Coat Hanger)

The time for the attack came, we went in under cover of night and launched the sub as practised, and rehearsed hundreds of times.  It left the ramp, hit the water, the rockets ignited as planned, and in a sheet of flame and a spume of froth it rocketed across the fjord, descending at the last moment to drop its lethal cargo upon the German battleship. But then… just as we braced for the impact, nothing happened.  We waited, still nothing, and then from the other side of the fjord a terrific explosion.  It seems the sub and torpedo had committed itself to a singular and irredeemable course and unswayed by tide, external communications and any other external factor had gone though the nets, under the target and exploded on the far side, and why?  It seems the commander equipped with those necessary traits of aggression, single mindedness and resoluteness was without imagination.  He could go straight, but not deviate a millimetre from a predetermined course.  It was only one way for him, straight through, not a crash dive but crash through and crash.  Eventually we did succeed, but that is another story when Lieutenant Palmer, and his vessel the ‘Bombast’ stuck tight to the battleship and held the entire crew to ransom, not the way we intended, but the desired effect in the long run…

Next, on Monday, we look at the myriad benefits Australia has reaped from Cockburn’s experience and expertise. But first tomorrow bring a Musical Dispatch, and then we are blessed with Poetry Sunday.

Derring-Do Pt 3 – The Allies Prepare

By Quentin Cockburn

RN Official Image

RN Official Image


As you can see this is much smaller than the Japanese submarine.  There are only two crew members, Commander Tony and his mate Peta.  The internal workings were a refinement upon the Japanese. You can see we have the commanders cupola, and engineers radio operator position.  This was a first being of plywood construction to save on precious resources, and the auxillary Austral Villiers engine for surface-cruising was augmented by this schnorkel device we adapted in our workshops.  Bicycle parts were used for ease of maintenance and the pressure hull, reinforced to contain explosive gasses.  We also trialled a unique communications system the Electro Impulse activator, or commonly known as the ‘Electorate’.  Commander Tony and Peta, though in spite of repeated attempts to influence their viewpoints on direction, delegation and imagination, (commanders need imagination,) were impervious to external influences and that is perhaps why it was stranded when it inadvertently travelled up the main sewer outfall at Frankston.  Both the commander and his lieutenant survived and upon rescue it was claimed: ‘Still Alive!’, though ‘no other visible signs of life detected in Frankston’!

We had originally envisaged a crew of seven. As that was the complement at Ashtons.

And we soon discovered that five; Dopey, Sneezey, Grumpy, Droopey, and ‘Hockey’ were unsuited to confinement.

As you can see the access hatch and access through the main control tower is very small.  After considerable training in the art of climbing in and out of suitably arranged agricultural piping, the largest dwarf “Hockey” became incapacitated.  He led a revolt of sorts amongst the troupe and only the most hard of hearing were unnaffected, little Tony and his sidekick Peta.  We had great confidence in the encounter but unfortunately due to an inadvertent translation error the control mechanism was not operable until we had replaced the forward control mechanism directive, ‘Hari Kiri’, with ‘Surface’, though the engineers did inadvertently install the rotating swords mechanism.  Tragically this error killed all but Hockey.  Eventually then the two outstanding candidates, Little Tony, and his offsider Peta, were selected, as they combined aggression with stubbornness and single mindedness.  This next photograph take in late 43 shows their sizes relative to myself, there are no other official photographs.

Self with Little Tony and Peta.  Note relative size.

Self with Little Tony and Peta. Note relative size.

We had a crew but an untried submarine.  This posed a significant problem for our engineering staff,  How to get a submarine small enough, but potent enough through the Norwegian Fjord past the submarine nets, the minefield and auxillaries, and with minor course correction and influenced by the prevailing currents close enough to get at Tirpitz? I could not work out what instrument would do the trick.  Clearly we were in uncharted territory and I had to develop something, as the window of opportunity was fast approaching.

Continued Tomorrow (And I, for one, can hardly wait!)

Derring-Do Pt 2 Midget Subs

by Quentin Cockburn

Midget submarines

I was the research scientist who came up with the idea of a midget submarine attack upon the German Battleship Tirpitz.  I first came upon the concept in the company of Lady Cockburn when we were playing “torpedoes”, a parlour game we devised for the bathroom to while away the idle hours of winter at Cockburn House.  I hit upon the idea after the unsuccessful Submarine attack on Sydney Harbour.  What surprised me and I think the Prime Minister made mentioned upon the ‘heroic and noble’ Japanese officers who perished there, our own little Scapa Flow could’ve been much more serious if they’d succeeded.  But shortsightedness on behalf of the Japanese High Command was their undoing.  Though brilliantly executed they had no capacity to identify a preferred target from the mass of general shipping, and had no back up plan.  As an attack it was symbolic, but offensively of no consequence

It seemed to me to be too single minded and consequently if any one thing went wrong the audacious plan would come to nought.

What surprised me at the time was the height of the Japanese submariners. From the body parts gathered from the scene it was calculated that Commander Ito measured three feet four inches, his colleague Lieutenant Iwaki, Commander of Suey 1, (for that is the naval code to describe the class of submarine) deduced from the femur and fragments of verterbrae was measured at three feet two inches.  But what we didn’t know then, and subsequently postwar we discovered, there were in actual fact fifteen crewmen assigned to the midget sub operation.  What we thought was an elongated crankshaft was in actual fact the main propulsion mechanism.  It seems that upon depth charging  the impact of force exerted upon the “grinders’ manning the propellor shaft as we should call them was such that it exerted massive force upon the propellor which rotated the mechanism, and macerated if you like the crewmen to smithereens.  The Japanese have a term for this which though difficult to translate is nonetheless epithetic, number 14 or more colloquially  given the identification  of the class of submarine, as “chop suey” .

Artist's impression.  Cutaway Mini Sub

Artist’s impression. Cutaway Mini Sub

Description 1
These are the salient features of the Japanese Midget Submarine, Suey 1.
As you can see the crew consist of the officers, Commander Ito, Lieutenant Iwaki. The internal guidance system; a Shinto Priest.  A primitive but effective asdic echo chamber, these two crewmen with coconuts.  The propulsion unit’ as you see here the eight crewmen working the propellor.  And the ballast and weight distribution system here; the two sumo wrestlers Honda and Suzuki.  Notice the underslung type 21 torpedo and the auxillary 12 horsepower Hitachi electric engine, colloquially known as the ‘Sawawy worker.’  Primitive but effective.

A Tale of Derring-Do Pt 1.

By Quentin Cockburn

Dear readers, it is an honour to be asked to give you an insight into the enormous impact I have had in Australian public life.  Assuming you haven’t read my war memoirs, Two Steps Forward, (Faber and Faber 1954), I could talk to you about some of the more interesting things I did during those years of turmoil.  I could offer an anecdote or two about my time behind enemy lines in May 1940, my work in the cipher department at Bletchley Park, and my role in unlocking the Enigma Code.  Though each supremely noteworthy I think it is now time for me to divulge some hitherto unrecorded episodes.

Perhaps I should describe my unpublished analysis of magnetic mines, acoustic torpedoes and de gaussing?  Though I’m inclined to give a little recitation related to my practical research and development of the ‘Pinkelwasser bomb sight‘ for height challenged midget submarine operators, or a practical demonstration of Ju jitsu in defence of the Johore causeway.  I have already mentioned this debacle in my memoir, ‘Dire Straits’. (Cheshire 1961).  I could recall the time I was aide de camp to Sir Basil Embury, Witless Victory (Readers Club. 1953) in drawing up an escape plan whilst I was billeted at Buckingham Palace to protect the Windsors Operation Sovereign Borders (Dent. 1957), or the time I thwarted the marine invasion of Crete in 1941, Send the Boats Back. (Collins 1956), or the time I played medium pace left arm orthodox and secured the Schneider trophy against the Cameroons in the Stalag luft XV111 test series, Bowled Team Australia.

But perhaps I should leave the best till last in my description of the negotiations and deception I employed to hoodwink the Russians, just as the evil iron curtain descended upon Europe to establish a new front and thus herald the onset of the Cold War.  It was my role during ‘Operation Paperclip’ and my dalliance with the evil mastermind, Vladimir Shird and his henchman Ras-putin Willankoff ‘Shird-front Putin (Harper 1982.) that doesn’t get the full recognition I’m sure it deserves.

I think, (quite rightfully) any of these will make excellent material for a short talk, and I am loathe to mention the decorations bestowed upon me for being a leader, soldier, spy, inspiration to countless generations of Australians, but suffice to say in my modesty I had recently bestowed upon me the Croix de Guerre and the ‘Knight Chevalier of the Order of France, (2nd class).  Though it is timely for the French to recognise my contribution, I have it mounted at the very bottom drawer of my collection of honours as being French one is never quite sure.  I’ll recite them briefly… M.C and Bar, DSO. DFC, M.M, M.B.E. Pour le Merite, Iron Cross, ( 2nd class), Order of the Chrysanthenum, Star of Turkey, Knights Cross with Diamonds, Oak Leaves and Swords, Order of Lenin, and hero of the Soviet Union, and others too numerous to mention…Tidy Towns, Tarax Show merit certificate, Herald Swim certificate, order of the Leaping Wolf, The Happy Club, and Joffa Boy and Uncle Norman signed Carlton Football jumper.

Perhaps upon reflection I may just give a brief recitation about recruitment requirements for operators of midget Submarines… this was quite challenging, and I may provide some fascinating documents to illustrate the challenges we faced and how my work in Midget submarines led to my stewardship of the post war motor industry in both this country and abroad.

NEXT  Midget Submarines

Democracy is Good

Warwick MacFadyen gives seven reasons for loving democracy, two of which took my fancy.

1. (Democracy) turns self-delusion into self-parody, which is always good for a laugh. Recently a candidate for the seat in which I live was pictured in a local paper. She was attending the announcement that her party would build speed humps on a road in the town centre. How good is that? Not only would there be said humps, there’d be more kerb and guttering and more road signs. Her opponent has also attended many announcements.

Announcements have involved large and small animals, large and small children, netball courts, soccer grounds, kindergartens, schools, community groups and flagpoles. I confess I’m not too sure about the flagpoles, but if there hasn’t been an announcement involving flagpoles, there should be. Of course, attendance at announcements has been happening across the state.

These events are undertaken in the mistaken belief that showing your face where it’s never been shown before is a plus to the electorate. Laugh? We almost cried.

2.  The second is a series of quotes from H.L.Mencken:

“I enjoy democracy immensely. It is incomparably idiotic, and hence incomparably amusing.”
“The mob man, functioning as citizen, gets a feeling that he is really important to the world – that he is genuinely running things.”
“Democracy is a pathetic belief in the collective wisdom of individual ignorance.”
“Every election is a sort of advance auction sale of stolen goods.”

Enjoy the last week of Victoria’s election campaigning, get ready for that ‘advance auction sale of stolen goods’.

Read more: http://www.theage.com.au/comment/seven-reasons-to-love-democracy-20141120-11qjix.html#ixzz3JsqIZA4Y

 

Poetry Sunday 23 November 2014

LEOPOLD ALCOCKS
by
Jake Thackray

Leopold Alcocks, my distant relation,
Came to my flat for a brief visitation.
He’s been here since February, damn and blast him
My nerves and my furniture may not outlast him.

Leopold Alcocks is accident prone.
He’s lost my bath plug, he’s ruptured my telephone.
My antirrhinums, my motor bike, my sofa
There isn’t anything he can’t trip over.

As he roams through my rooms, all my pussycats scatter.
My statuettes tremble, then plummet, then shatter.
My table lamps tumble with grim regularity.
My cut glass has crumbled and so has my charity.

Leopold Alcocks, an uncanny creature
He can’t take tea without some misadventure:
He looks up from his tea cup with a smirk on his features
And a slice of my porcelain between his dentures.

He’s upset my goldfish, he’s jinxed my wisteria
My budgie’s gone broody, my tortoise has hysteria.
He cleans my tea pots, my saucepans, with Brasso
And leaves chocolate fingerprints on my Picasso.

Leopold Alcocks never known to fail
Working his way through my frail Chippendale.
One blow from his thighs (which are fearsomely strong)
Would easily fracture the wing of a swan.

I brought home my bird for some turkish moussaka
Up looms old Leopold I know when I’m knackered.
He spills the vino, the great eager beaver,
Drenching her jump suit and my joie de vivre.

Leopold Alcocks stirring my spleen
You are the grit in my life’s vaseline.
A pox on you Alcocks! You’ve been here since Feb’ry
Go home and leave me alone with my debris.

So Leopold Alcocks, my distant relation,
Has gone away home after his visitation.
I glimpsed him waving bye bye this last minute
Waving his hand with my door knob still in it.

Notes by our celebrated Poetry Editor, Ira Maine

This chap was a singer in the French style around English clubs in the seventies. I went to see him on more than one occasion. His songs were not to everybody’s taste so he never commanded a huge audience. Sadly, later on as tastes changed his audiences dwindled even more. The poor chap became increasingly depressed and eventually took his own life.

His style is based on that of Georges Bresson, famous in France where the habit of singing in clubs, cafes and bars is well established and has produced people like Piaf, Yves Montand, Petula Clark, Charles Aznavour and countless others..A similar culture does not exist in the UK, largely because of the draconian licensing laws which denied cafes and coffee shops, until very recently, the right to sell alcohol. This suited the pub owners very well. If people wanted a drink outside of their own home they had no choice but to go to the pub.This was a very effective way of utterly warping the average persons attitude to alcohol. Cafes are for mixed company socializing; pubs are places where men go to get drunk.. 

I find this poem/song very amusing and typical of Jake.
I’m beginning to feel that perhaps we’ve done this poem sometime ago…and I’m repeating myself… to hell with it…

A New Halloween

By Tarquin O’Flaherty

Halloween and the Ancient Celtic ‘Samhain’.

Mussorgsky’s ‘Night on the Bald Mountain’ is the composer’s attempt to recreate the terror, mystery and magic associated with the European night of October the 31st, a date we all know as Halloween.  There are spirits and ghosts, goblins and witches abroad at this time, both in this music and out there in the bleak and howling night.  It is the night when the old harvest year ends and a new one begins.  Between these two there is a split, a crack, a moment in the order of things when the unthinkable might occur and that gap allow demons, pookahs and banshees to come and do dreadful harm to us all.  These are real malignant spirits and all necessary precautions must be taken.  We must disguise ourselves to hide from these bad spirits in the hope that we won’t be recognised as we go abroad.  We must create horrible masks for ourselves to frighten ghosts and goblins who might approach us, intending us harm.  We must build vast fires to drive away the dark, a darkness which harbours  treacherous fiends who await the slightest opportunity to create havoc by sowing famine, disease and death amongst us.  Eternal vigilance…lest all be lost…

Long before ‘Druids’, Christianity, and the Romans, Western Europe was Celtic, a civilisation with its own distinct culture and language.  As part of this culture, four principal festivals were observed:

Samhain (phonetically; Sough-Win) at the end of October, marked the end of harvest, the beginning of winter, and a time to bring animals down from summer pastures to more protected, closer to home paddocks and yards.

Imbolc (sixty years ago I was taught to pronounce this as Im Bullug) marked the First of February, the beginning of Spring lambing time.

Beltane (phon. Bee-yowl- tinneh) meaning yellow or bright fire was celebrated on the first of May, when all of Shakespeare’s ‘darling buds’ burst into life and was roughly halfway between the Spring equinox and the Summer solstice.

Lughna sadh (pronounced nowadays as Lu-Nasa) the first of August festival denoting the beginning of the harvest season.

Beltane and Samhain, Imbolc and Lunasa are dates which scholars tell us have more in common with a herding and animal owning culture rather than the settled farming system we are familiar with today.  This suggests a respectable antiquity for these festivals.  A great deal of Celtic mythology deals with the getting and keeping of herds of cattle and the rivalry, rustling and skullduggery that went on between various factions to have the best animals, and particularly the best bull.  Mythological queens and kings went to war over prize animals, and dirty deeds were done.

So, long before Christianity, practically the whole of western Europe was Celtic and the festivals I have outlined were of supreme importance.  Then came the Romans, heavily influenced by the Greeks, but lacking their imagination.  Four hundred years before Christ, Gaulish Celts sacked Rome and wiped out the Roman army.  From this humiliation, the Romans learnt much.  They learnt about two-man chariots, the one to drive, the other free to engage the enemy.  They discovered that their swords were not short enough, their shields inadequate against slings and arrows.  Modern historians have it that the success of the Roman fighting machine in later years was largely due to their adopting the weapons and techniques of those Celts who had trounced them in 397BC.  The full length curved shield and short stabbing sword, which, when used in a group, shield to shield, provided a wall, an impenetrable barrier, against which it was difficult to do battle.  The two-man chariot, a devastating weapon en masse, was easily capable of cutting an army of foot soldiers to ribbons.  The Romans had adopted the hugely successful phalanx from the Greeks but the Celts, with their speed and manoueverability, very quickly rendered the phalanx obsolete.

The Romans, as we know, came back, noticeably better prepared this time, and took over most of Western Europe.  When they departed, in the 5th century AD, they left behind a well established church, governed from Rome.

As the power of this new church grew, anything that threatened its ascendancy was stamped out.  If old custom or habit persisted, as a great deal did, then the church attempted to absorb this persistence into the new ‘christian’ way of thinking.  As an example of this, when Christianity was first trying to establish itself, the goddess Isis was worshipped throughout the Empire.  Isis was always represented with a baby in her arms and represented motherhood, security, warmth and the power of sex and sensuality.  The church ‘absorbed’ the goddess Isis, changed her name to Mary, but, being aware of the power of Nature and the family as a potential threat, eventually dispensed with the ‘sex and sensuality’ side of her nature in favour of ludicrous virgin births, miraculous babies and a male dominated monotheism.  Women were driven to the sidelines, their absolute importance in the scheme of things reviled and their proper function in society mocked by the deadly weapons of guilt and shame.  Sex, in absolute corruption of what had gone before, was now no longer something to be celebrated.  The sexual act was now, officially, a sin.

All of the Easters and Christmas’s we now know were idiot, meaningless overlays by the church to gain power over the ancient rituals, festivals and ceremonies of pre-christian Europe.

Christmas, Yule, call it what you like, didn’t involve just one day.  Samhain, the end of November, marked the beginning of Winter, a period which ran right through to Imbolc, to lambing time on the first of February.

The church absorbed and truncated this Winter period, rendering it meaningless, but then had the gall to declare the old Germanic Yule, Jesus’ birthday!

Easter, the first of May, was something the church couldn’t alter, or indeed control.  Eggs, fertility, impregnation, the glorious sensual rush saturated everybody.  New beginnings burst forth everywhere and there was nothing the church could do to stop it.  So they went along with it, absorbing the Lenten fasts, the processions, the ritual and ceremony that helped recreate the world, and over the years, gradually calling these ceremonies their own.

Along the way the church destroyed the rites and rituals of Samhain (the Winter period) and turned it into the infantile Halloween.  They took Imbolc (end of Winter lambing time) and, apart from the Agnus Dei (lamb of God) reference, almost completely obliterated its significance.

Lunasa (the beginning of the harvest season at the first of August) with its own rites and rituals means nothing now and tractors roll into paddocks without a suggestion of deference to the gods.

It is my contention that, without any reference to Europe whatsoever, we should reinstate, at their proper place in our Southern Hemisphere seasons, one or two of these old feast days, particularly Beltane (or Easter) in its proper first day of Spring slot.  We should celebrate the new year, this new beginning, accord it its proper deference and respect and give thanks to the gods for this new beginning.

To Hell with old England and their upside down calendar.  This is Australia.  Let us create, and begin to believe in, our own customs and ceremonies, our own Samhain and Beltane. Lets have fireworks and laughter, bonfires and dancing at the close of the year without reference to any other country’s wants or habits.  And yes, let’s have sensuality and even a little gentle abandon at our own Springtime festivities.  We need to stop deferring and begin instead to stand up for ourselves.  Australia is a great place to live in, but I reckon it could do with a bit, a touch, a scintilla, a bootful of extra excitement.

I think my master plan would provide a bit of this excitement, and, along the way, do us all the world of good.

Poetry Sunday 16 November 2014

Fidele’s Dirge by William Shakespeare
Fear no more the heat o’ the sun
    Nor the furious winter’s rages;
Thou thy worldly task hast done,
    Home art gone and ta’en thy wages:
Golden lads and girls all must,         5
As chimney-sweepers, come to dust.
Fear no more the frown o’ the great,
    Thou art past the tyrant’s stroke;
Care no more to clothe and eat;
    To thee the reed is as the oak:         10
The sceptre, learning, physic, must
All follow this, and come to dust.
Fear no more the lightning-flash
    Nor the all-dreaded thunder-stone;
Fear not slander, censure rash;         15
    Thou hast finish’d joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.
No exorciser harm thee!
    Nor no witchcraft charm thee!         20
Ghost unlaid forbear thee!
    Nothing ill come near thee!
Quiet consummation have;
And renowned be thy grave!
Comments by Ira Maine, Poetry Editor
Shakespeare’s play ‘Cymbeline’ concerns itself with an English vassal king, Cunobelinus, or Cunobeline, in the reign of Caesar Augustus.
The story is drawn from ‘Historia Regum Britanniae’, the History of the Kings of Britain, written by the 12th century Benedictine monk, Geoffrey of Monmouth, and from whose histories we also get King Arthur and the Round Table, Camelot, Lancelot and the Lady of Shallot amongst others. Of course, dear old Geoffrey was writing at least five hundred years after the Romans had departed and what he didn’t know must have been considerable.
Any old how, by the sixteenth century, the name Cunobelinus had morphed into Cymbeline, and Shakespeare was nicking bits from Boccaccio to add a little zest to Geoffrey’s story.
Shakespeare, as we all know, when the truth threatened to be tedious, or historical accuracy a bore, invented, stole from and otherwise added to the historical narrative in order to keep his customers happy. This was particularly important when his principal customer was Elizabeth the First.
What we are concerned with here is this glorious poem, this dirge, this lament for the dead Fidele.
The Cymbeline story is replete with death and double-dealing, treachery, women dressed as men, the testing of fidelity, lost brothers and all sorts of trif Shakespearean machinations.
Imogen, daughter to Cymbeline, dressed as a bloke, and calling herself ‘Fidele’, sets off into darkest Wales, with poison in her pocket (except it isn’t poison).  She believes it to be a health-giving draught (or thereabouts) when in fact it is an elixir which if taken, will produce all of the signs of death without any of death’s inconveniences.
Her Mum had hoped to poison her with this but other less poisonous people had intervened and had provided a less lethal brew.
Incidentally, Posthumus, (unfortunate name) her boyfriend, had sent from Italy one Jachimo to test her faithfulness.  Ole Jachimo is soundly rebuffed but he steals enough of her bits and pieces to convince poor ole Posthumus that he has actually seduced her.  Ole Posthumus sends a servant to bump Imogen orf.  Said servant confesses all to Imogen. Imogen takes off into Wales, declaring her unblemished soul in her new name ‘Fidele’.
In the depths of Welsh Wales poor ole Imogen feels a bit tired, a bit knackered, and bloody hungry . . .  then . . .  Lo and Behold! Before her very eyes, there appeareth a warm, food filled cave with a few really comfy beds.  Naturally, having nibbled delicately on a crust, and still feeling a bit woozy, she downs the pick-me-up in her pocket, and, to all intents and purposes, ‘dies’.
The owners of the cave enter (having beheaded the queen’s blockhead son) and display their gruesome trophy to their dad.
‘Holy Shit!’ squawks Dad, ‘that’s the queen’s son! Now we are properly in the black and slimy!’
(The above is not the Bard verbatim)
Alls well that ends well but before the happy denouement the two brothers, who also happen to be Imogen’s long lost brothers (try to keep up, will you?) lament the apparent ‘death of ‘Fidele’ with this splendid dirge.
Remember the Auden poem recited at the funeral in the film ‘Four Weddings and a Funeral’?
This poem is of that order, only this is Shakespeare. It is composed of four verses; the first three all begin their first line with ‘…fear no more…’.   We can gather from this that fear played a huge part in Elizabethan life, particularly for the lower orders.
The first verse deals with the terrifying vagaries of the weather and its effect on crops. The possibility of flooding, drought and famine are ever present.  A man’s family could starve to death on a whim of the weather, and a bad harvest could be seen as a judgement from God.  The average peasant didn’t know the mind of God and prayed fervently for forgiveness for sins he didn’t know he’d committed!  This attitude was naturally encouraged by the Church (who did know the mind of God) as it kept the lower orders in line.
‘Fear no more the heat’ the sun
Nor the furious winter’s rages;
…thou thy worldly task has done,
Home art gone, and ta’en thy wages.
Golden lads and girls all must,
As chimney-sweepers, come to dust.’
All the petty drivel, all of the worries attendant on living your life, are as nothing now. You have gone ‘home’ and taken with you, for good or bad, whatever heavenly merit you have built up in your lifetime.  Remember, this is a society where the grace of God counts for a great deal.
And then the lovely joke;
‘…golden lads… like chimney-sweepers, come to dust…”
In the second verse we learn that the peasantry had very good reason to fear the ruthlessness of power.  A man could be put to death for upsetting his lord and master. Alternatively, he could be forced to join his master’s army and spend months away on foreign or domestic wars whilst his family survived as best they could.  With no redress he could be thrown off the land and on the street for failing to display appropriate subservience to local dignitaries.

Now all that terror is no more.  No longer is even clothing himself a worry because none of these worldly demands mean anything anymore.  A reed is as good as an oak to him now.

‘Fear no more the frown o’ the great…’
All of this, everything you see, all of the pretension, the airs and graces we give ourselves, ‘the sceptre, learning, physic (kingship and kings, the worth we place on learning, even the study of medicine and its benefits will not hold off death for long).
‘All follow this, and come to dust’
In the third ‘…fear no more…’ verse, just the simple business of being scared witless by sudden thunder and lightning, together with the then belief that thunderstorms produced ‘thunderstones’* that, hurtling out of the sky, could wreck houses, kill animals and people. They were seen as examples of the wrath of God.

And, for the second time in this same verse, ‘…fear not…’ occurs, this time dealing with ordinary ‘…slander…’ and ‘…censure rash…’ which can make life a misery in a small village or township.  Reputation is everything and to have that destroyed either by small-minded gossip or deliberate character assassination could make life hell.

‘…the lightning-flash…’ ‘Slander, censure…’ any of that earthly ‘…joy and moan…’
Even the youngest, the most youthful, the most vibrant must;
‘…consign to thee, and come to dust…’
Then the final, almost pagan prayer, a spell to ward off evil spirits, absolutely unrelated to that  Christianity with which most of this poem is suffused.
‘…No exorciser harm thee!…’
‘…no witchcraft charm thee!…’
‘…Ghost unlaid forbear thee!…’
‘…Nothing ill come near thee!…’
And having commanded this to happen, it is assured that ‘Fidele’ will
‘…quiet consummation have,
And renown-ed be thy grave.’
There’s little else to say, really.
An entirely suitable piece to have read over your grave.
* Incidentally, in the 16th century, flint arrow heads, stone hammers, dinosaur teeth, even fossilized bones, in fact anything that appeared a bit weird in the rock department was regarded as a ‘thunderstone’ and was presumed to have fallen from the sky.

Safety

We all know how very important safety is.  Safety in the workplace, safety at home and safety as a Nation.

Most of us are familiar with risk assessment, risk matrices, and the importance of Personal Protective Equipment (PPE).  It has become second nature for most to do a thorough risk assessment prior to undertaking any activity.

Here in the US it seems to me that safety is being taken to new heights.

I was in a bar last Sunday (Business meeting, thus I was in a ‘workplace’), with two associates, one of whom brought his three year old son.  We sat on stools around a bar height table, surrounded by screens showing football matches.  (They take football more seriously than religion here, and that, in contrast to Australia, is saying something.  There is no hint of performance enhancing drugs, and barely a scintilla of machismo.   Women are embraced.  Here, too, safety is paramount.  I digress.)

The son had his PPE in the form of a dragon cape – to ward off any slurs from nearby drinkers – psychological damage caused by workplace teasing is a recognised safety issue here.  More importantly he had a helmet on, to protect in case of falls from the stool.  In due course, after eating his hot dog (we had wings with blue cheese dipping sauce) and leaving his broccoli (like any man in a bar) he went sound asleep with his chin on the table.   A fall was a strong possibility; I was comforted by the thoroughness of the risk assessment.
Jeremy in Bar

On passing the Barmaid queried, “Too much drink?”

Yours in safety,
Cheers

Cecil Poole